Wine Martha Stoumen Is a Champion for Natural Wines—and Women Winemakers Her low-intervention approach is helping redefine California wine. By Abigail Koffler Abigail Koffler Instagram Twitter Website Abigail Koffler is the writer of the weekly newsletter "This Needs Hot Sauce". Her work has been published in Bustle, VinePair, The Infatuation, and she has an essay in the forthcoming anthology "Serving Up: Essays on food, identity and culture". Food & Wine's Editorial Guidelines Published on September 25, 2020 Share Tweet Pin Email Photo: Andrew Thomas Lee From the eye-catching labels on her bottles by Oakland, California–based artist Carolynn Haydu to her wines' cheeky names and terroir-specific, thought-provoking contents, Martha Stoumen is challenging wine orthodoxy in California. An advocate for women winemakers and a frequent collaborator outside the wine space—consider her wine-beer hybrid with Chicago's Middle Brow—most recently she's been dreaming up ways to turn a fermentation gone sideways into a low-ABV hard seltzer and, of course, releasing her latest batch of wines. F&W: How do you describe your wines? And what's your take on natural wines overall? MS: Natural winemaking is really kind of a behind-the-scenes technique; it's not necessarily a finished category that you drink from. Mostly I hope people understand my wines just by drinking them; I hope that they feel like they're classic expressions as well. My approach is low intervention, but I feel the wines themselves bring a lot of joy and are ageworthy, too. Plus, I really like to make wines that are multidimensional—they may have some tannin, but also acidity and a freshness that can go throughout the year with a wide range of foods. F&W: Do you get any resistance from the California old guard about what you're doing? MS: A little, yes. A few years ago, I was at a trade fair that was taking place in Napa—people selling barrels, stuff like that—and the crowd was mostly older. And I remember talking to an older gentleman who was just not into natural wine at all; he kind of hated the scene and hated the term and gave me a lot of pushback. Since that time, though, I haven't had as much interaction with those people. I would love to continue the dialogue. It's similar to politics—when you sit down with somebody and have a long conversation, and you realize you certainly have areas where you disagree, and they're good to talk about, but you actually have more in common than might be expected. F&W: What is something you're learning right now and something you're teaching? MS: Not growing up in the wine industry, I've had to try and figure out a lot on my own, and thankfully there have been people who have been very open with me [Stoumen is in an ongoing online forum for women winemakers and has also worked at COS in Sicily and Broc Cellars in California, among others]. So with any and all information I can share, I say, let's do it. Let's make this wine industry a place where the barriers to entry are fewer: for women, people of color, and more. I'm also trying to figure out how small businesses afford health insurance; for instance, collective bargaining, as an industry—how can we work on that? How can we create a more equitable system for everybody involved in this business? Wines to Try 2018 Martha Stoumen Negroamaro Rosato ($42) One of the wines Stoumen ages longest before release—unusual for a rosé—this is made with fruit from Benson Ranch, which Stoumen leases and dry farms. It's a rosé for fall, with cranberry notes and well-balanced acidity. 2019 Martha Stoumen Young Vines Venturi ($38) Stoumen blends three clones of Zinfandel with a touch of Vermentino (a white variety, which gives a lift to the flavors) for this plummy, tea leaf–scented red. Like all of her red wines, it is aromatic and can take a bit of a chill. Was this page helpful? Thanks for your feedback! Tell us why! Other Submit