18 of the Coolest-Looking Beer Cans You'll Ever See

Back in the ‘50s, New York City was at the forefront of the contemporary art movement. Today, much of the city’s art scene has migrated to Brooklyn, and the borough’s amazing breweries have similarly led the way in modernizing can art. Other Half produces a bunch of beers with food (especially veggie) focused names, and the labels feature stark patterns that are as dank as the beers inside.

Swinging towards the surreal, Brooklyn’s Threes has released a number of its beers with can labels that feel as if they were pulled from the pages of a dystopian children’s book, simple yet evocative, like an aggressively hopped IPA.

Grimm Artisanal Ales was an early standout in the movement towards juicy, tropical, dangerously easy-drinking double IPAs devoid of any harsh bitterness. Fittingly, the brewery’s labels feature pastels as soft as these flavors. On Lambo Door, our final example of Brooklyn’s influence, the art feels so ephemeral it’s as if the car will simply float off the can.

An instantly lauded standout when it was first released back in 2012, Ninja vs. Unicorn from Chicago’s Pipeworks Brewing used more than just a massive dose of hops to grab people’s attention. The graphic novel-inspired can art is a lesson in eye-popping contrast: a battle not just between ninja and unicorn, but opposing color palates as well.

Another Chicago brewery that’s become as well-known for its great beers as its bold artwork, Half Acre Beer Company’s Pony Pilsner is a perfect example of how art can elevate the drinking experience: In today’s craft beer world, pilsners are sometimes seen as a bit stodgy, but with its hard lines, block font and intense color scheme, Pony Pilsner invites beer lovers to reconsider the power of what’s inside the can.

Taking a subtle, but alluring approach, Boston’s Trillium Brewing entire range of beers feature realistic pencil renderings informed by each beer’s name, a detail-oriented approach much like the brewery’s beers themselves.

Proving that brewers can take inspiration from each other on the outside of the can as well as in, Narrow Gauge Brewing in Florissant, Missouri, north of St. Louis, also opts for the simplicity of pencil art. But whereas Trillium’s work leans more towards hyperrealism, Narrow Gauge’s art is subtly distorted and dreamlike, sketches from a madman’s diary.

Though Berkeley’s Fieldwork Brewing takes its artwork into all sorts of intriguing directions, their most iconic series of labels could be described as first-person perspective landscape views, similar to the one featured on their Coffee & Milk IPA. Somehow, the labels manage to superimpose an otherworldly feel upon these intensely Earth-bound images.

Most cans from the biggest beer brands tend to be simple and forgettable. Can you remember what’s on Miller Lite’s label? (It’s a logo of wheat and hops.) Meanwhile, Dallas’s Four Corners Brewing turns simplicity on its head, branding each of its beers with a single, slightly cartoonish logo. On Block Party, the tap into the retro appeal of a blaring boom box.

One of the biggest changes from the old guard is that beer can art no longer has to take itself so seriously. Though plenty of examples of goofy labels exist, Hawaiian Brunch from Connecticut’s Kent Falls Brewing checks a lot of fun boxes. A Kool-Aid man-like beer glass donning a Hawaiian shirt stands atop a pile of pineapples to showcase this hibiscus and pineapple pale ale that pours a reddish hue matching the color of the can.

Proving that beer isn’t the only alcoholic beverage that’s revolutionizing its artwork (as well as moving into cans), Newburgh, New York’s Graft Cider opts for art as beautifully crafted as its funky ciders and beer-cider hybrids. Farm Flor is a simple rustic offering with a label featuring an equally expressive vision of country life.

A cartoonish depiction of a man bathing with his cat? Nontraditional to say the least, but fully appropriate for Chicago’s Whiner Beer, a specialist in far-out concoctions like this tart, funky, barrel-aged farmhouse ale.

The cascading waves of flavor from this double dry-hopped double IPA mirror the intricate, visually complex imagery on the can for this hop- focused beer from upstate New York.

Featuring a heavy dose of Citra hops, this double IPA pushes boundaries with its irreverent name and kooky, stylized image of a tattooed fellow clutching a mace behind an ostrich, both pierced with arrows.

More than one of Portland, Oregon’s Hopworks’ cans feature open-mouthed heads that practically scream, “Grab me from the shelf!” Because in the end, labels need to inspire customers to buy the beer.

The first hire at this Chicago brewery was an artist on the packaging team. Spiteful’s ongoing dedication to hand-drawn imagery is clear on their signature double IPA, which tells a graphic tale of every beer lover’s plight.

The sleek lines and minimalist approach of this label perfectly reflect “gypsy brewer” Stillwater Artisanal’s crisp, easy-drinking dry-hopped lager with a light citrus edge worthy of a sunny afternoon at sea.

San Diego’s Modern Times’ distinctive packaging seamlessly juggles classic beer-label aesthetics with techno-modern design sensibilities. This hazy, citrusy double IPA was a special release, but their rotating lineup includes many diverse beers.