You know the rest of that line, right? Well, it's with some small amount of sadness that I am saying that about this blog: It must come to an end. I've had a terrific time writing it, but we've decided that in the end it's a bit strange, for a magazine that's all about bringing together food and wine, to have separate blogs on those topics.

So, from here on out, any wine blogging that I (and Megan Krigbaum, Kristin Donnelly, and various other stalwart folks) do will instead appear in F&W's primary blog, Mouthing Off. No less wine coverage, just a different venue. See you there.

Ray Isle

I recently attended the WTF?! Tasting at Brooklyn Wine Exchange, hosted by a company called WineChap, which is known for its quirky, entertaining events like the astrology-themed Wines for Signs. We tasted six “boundary-pushing” wines, each breaking the mold of conventional winemaking in its own way.

NV Domaine Mosse Moussamoussettes Pétillant ($23) An unfiltered sparkler with no yeast or sugar added.
2008 Red Hook Winery The Electric ($45) The soul of a late-harvest Riesling in the body of a Chardonnay.
2002 Gravner Ribolla Gialla Anfora ($90) An “orange” wine fermented in underground clay amphorae.
2008 Domaine le Briseau Patapon ($28) Made from the rare Pineau d’Aunis grape, put through even rarer semi-carbonic maceration.
NV Pechigo Rouge ($22) An uncommon red blend from biodynamic winemaker Sylvain Saux.
2000 Domaine de Montbourgeau L’Etoile Vin Jaune ($71) An oxidized wine from the Jura, with fino sherry–like flavors.

The tasting booklet’s overall rating for each wine involved choosing its WTF?! Factor— illustrated with one to five unicorns—and came with photos depicting each wine’s wacky aspect (like a centaur for the unlikely blend in The Electric). You might love them or hate them, but you’ll never say they’re ordinary. One sip and you might blurt out…WTF?! 

 

If there’s one thing that will lure me out into a New York City blizzard, it’s the chance to taste a super-rare whiskey. So the other evening, a handful of die-hard Scotch enthusiasts and I braved the snow so we could be among the first to taste Highland Park 1968 at a whiskey-tasting dinner at the Scottish gastropub Highlands. The Scottish distiller’s single malt—produced in extraordinarily small batches (only 1,550 bottles) and sold for an extraordinary price ($4,000 a bottle) will be released in May.

After we tried pours of the 18-, 25-, 30- and 40-year-old Highland Park whiskeys, the splash of '68 revealed it to be remarkably complex and smooth, with hints of ginger and clove and a fierce kick. But even with the extravagant packaging (an oak box inlaid with the Highland Park silver amulet) it still seems like an insane splurge in these recession-minded times.

Anyone in the NY area and inclined to buy Bordeaux might want to check out the Union des Grands Crus tasting tomorrow, held at The Four Seasons restaurant, a few blocks away from Sherry-Lehmann, which is presenting the event (tickets $75/$125). I stopped by today at the trade version of the same tasting to get a read on the 2007 Bordeaux vintage, which seems to be neither as dire as some reports would have nor as wonderful as the chateau owners might prefer we all thought. 

Basically, the sweet wines from Sauternes and Barsac are lovely in '07, with layers of nectar-like flavors and distinct botrytis character (that distinctive honeysuckle-to-bitter-honey note). Standouts at the tasting included Chateau Coutet, Rayne-Vigneau, and Doise-Daëne.

The white wines of Pessac-Leognan also show well in '07, at least more consistently than the reds. Standouts at the tasting included Domaine de Chevalier, Château de Fieuzal, Château Larrivet Haut-Brion, and Château Smith Haut-Lafitte.

The '07 Bordeaux reds that I tasted were a mixed bag. The best—Domaine de Chevalier and de Fieuzal again, Pape Clément, Pontet-Canet, Léoville Poyferré, Lynch-Bages—weren't flashy, but were balanced, appealing wines supported by ripe tannins, with a kind of sneaky depth to their flavors; the not-so-good were marred by green notes and an hollowness in the midpalate that isn't particularly pleasant now and seems unlikely to improve with age, too. Of course, I tasted only a percentage of a percentage of the '07 Bordeauxs as a whole, so take any broad generalizations cautiously. Or, even better, go to the tasting and see what you think.

 

 

 

 

 

On Jan. 23 in New York City, Sherry-Lehmann Wine & Spirits, presents the Union Des Grands Crus Bordeaux Tasting. This is a rare opportunity to sample the 2006 and 2007 Vintages from more than 80 of Bordeaux's greatest châteaux. Winemakers and châteaux proprietors themselves will be pouring the wines.  VIP ticket holders will be entered into a Special Raffle in which 6 Signed Magnums from a selection of featured Châteaux will be awarded to 6 lucky winners (Raffle Commences at 2:30pm).  For VIP tickets ($125pp before Jan. 20; $150 after) and Grand Tasting tickets ($75pp before Jan. 20; $95 after); sold online at: http://www.sherry-lehmann.com/events; 212-838-7500. Event takes place at 583 Park Avenue in NYC.

For such a small city, my hometown of DC is packed with a lot of good wine experts, from Andy Meyers at CityZen to Inox' John Wabeck and Proof's Sebastian Zutant. This is old news to regular readers of DonRockwell.com, DC's pioneering chatboard on food and wine. But I owe Don a debt of thanks. For our January Judges Issue, he helped me recruit three of DC's fastest-rising talents to judge supermarket brands of foods sommeliers often cite when describing wine: grapefruit juice, raspberry jam and red wine vinegar. Kathryn Morgan (Citronelle), Jill Zimorski (Café Atlantico and Minibar) and Kat Bangs (Komi) were amazing, blind-tasting the oak aging in Colavita's tasty red wine vinegar and discerning the corn syrup in Smuckers. The results surprised us all; check them out here.

The lottery for the NYC Half-Marathon opened yesterday, so I logged on to the New York Road Runners’ web site to sign up. In addition to asking for my estimated finish time, I was asked if I'd be interested in the following: a beer and barbecue bash, a wine and food festival, and wine tastings. Of course I said yes to all three, and then called NYRR to find out more. Ann Crandall, NYRR's senior vice president of business development and marketing, told me, "Most people don't just run. They run and go out for a beer with friends," says Crandall. "We're looking to form partnerships with local restaurants or chefs and create food-driven post-race events." I can't think of a better reason to run.

A group of geologists in Oregon have a few skeptical things to say about the notion of "minerality" in wine, the Southern Oregon Mail Tribute reports. They've got a good point or two—that the amount of actual minerals in wine is below the threshold of human taste and smell, for instance—though they're a bit wobbly on what the French term terroir actually means, which is not just the soil, but the totality of the influence of a specific place on a wine's character.

Terroir takes into account human influence, too, according to Rhône winemaker Michel Chapoutier, who stopped by our office for a quick tasting a few days ago. Chapoutier also made a nice distinction between what he sees as the two broad types of wine in the world: taste-driven wines (where the producer assesses what consumers want, finds appropriate grape sources, and markets a wine that satisfies that demand) and wines of terroir (where the nature of a specific vineyard determines the character of the wine, the winemaker intervenes as little as possible in order to preserve that character, and then the owner hopes that people will buy it). 

When angry colonists threw tea into Boston Harbor in 1773, they had no idea that their rebellion would eventually lead to the American Revolutionary War in 1775, or that it would inspire the creation of another kind of beverage in 2009: Absolut Vodka Boston, a limited-edition vodka infused with black tea and elderflower.

Recently, mixologist Jamie Gordon hosted an Absolut Vodka Boston Tea Party at Food & Wine's New York City office. He gave the editorial staff a taste of some fantastic cocktails he created with the spirit, such as the juicy and aromatic Absolut Boston Blackberry.

ABSOLUT BOSTON BLACKBERRY
Makes 1 Drink

4 large blackberries
1 ounce agave nectar
4 ounces Absolut Boston
1 1/2 ounces fresh lemon juice
4 dashes rhubarb bitters
Ice

In a cocktail shaker, muddle 2 of the blackberries with the agave nectar. Add the Absolut Boston, lemon juice, bitters and ice. Shake well and double strain into a chilled large martini glass. Garnish with the remaining 2 blackberries.

Over the weekend I had the good fortune to introduce (and then sit on a panel with) Marc Perrin of Château Beaucastel, as eighty or so equally fortunate people got to taste through a vertical of Château Beaucastel going back to 1988. The wines showed gorgeously and reaffirmed—not that there's much doubt about it—Beaucastel's place in the top ranks of the Châteauneuf-du-Pape heirarchy.

Perrin was adamant about the benefits of organic viticulture, though in an effortlessly charming way: "When my grandfather decided to use organic viticulture in 1950, people thought he was crazy. But we think it is absolutely the only way to go to make wines that express a sense of place," he stated, adding later, "Industrial yeasts are good for industrial wine. But when you are talking about the identity of a terroir, natural yeast is the only option." 

Of the vintages we tasted through ('07, '06, '98, '94, '90, '89, & '88), these were my highlights:

2007 Chateau de Beaucastel, a powerful wine with creamy black raspberry and licorice notes, hints of toast and berry skin, and lots of fine-grained but substantial tannins—though still extremely young, it promises to be fantastic over time. This hasn't been released yet, but will be soon; it would be an outstanding cellar purchase.

2000 Château de Beaucastel, which had shifted toward more secondary characteristics of earth and loam under its dark cherry fruit, with a touch of tobacco on the end and a velvety texture. Perrin said it reminded him of "when you go into a forest after it rains," which struck me as just right.

1990 Château de Beaucastel, an extraordinary CdP with lots of life left in it; the aroma was all exotic spice, a hint of bandaid box (i.e. brett, which Beaucastel was known for in the past, & which did not come up during discussion) and dried herbs; the fruit suggested kirsch and raspberry liqueur. Stunning wine. Wish I had a case of it, rather than just a memory.

There was plenty of debate—as there has been over time—about the '89 vs. the '90. Both were terrific—or somewhere beyond terrific, actually. Perrin preferred the '89 this time, which was rounder and more generous, with more dark chocolate than spice notes. I went for the '90.

He also said this about Grenache in general: "For me a great Grenache wine, a big part of the experience, is the texture. It's like eating a cherry—that juicy, fleshy character of a ripe cherry."

Thirsty now?

In my October column on 50 of the classic wines of the world, I singled out Castello di Monsanto's renowned Il Poggio bottling as a defining example of Chianti. So it was good fortune, or weird coincidence, or something, that Monsanto's Laura Bianchi happened to swing through town today to do a short retrospective tasting of three decades of Il Poggio.

I'll give her the prefatory remark: "What's important is that the style of the wine does not change. We believe in what my father started forty years ago, and we always try to improve the quality but not change the style."

That seems to me a good approach, if you've got a wine in your portfolio that is as exemplary as Il Poggio. It comes from a single five-and-a-half hectare vineyard on the Monsanto property, and is a blend of 90% Sangiovese with roughly equal parts Colorino and Canaiolo, aged for 18 months in new and one-year-old French oak. And, as this tasting proved (yet again; I've tasted this wine a lot over the years) it ages beautifully.

We tasted five vintages—2004, 2003, 1997, 1982, and 1977—and all of them were in admirable shape, with the '04 and the '82 the standouts of the group. 1997 and 2003 were both hot years, and that showed in both wines' black cherry fruit (more dried black cherries in the '97, and shading to plum paste in the '03) and a dark-roast coffee character in the '97 as well. Yet, even in vintages like these, it's worth noting that superripe for Chianti would still be considered somewhat astringent and austere in, say, Napa or Barossa. That's one lovely thing about good Chianti—even from a hot year it retains a cracked-twig crispness to its tannins and general character that makes it a fantastic partner for food.

The '82 was vividly aromatic, full of floral, leather and black tea. In the mouth it showed game and truffle along with sweet dried raspberry and cherry, and, as it opened up, distinctly fresh mint notes. If you can find this anywhere, and it's been stored carefully, buy it. It's drinking beautifully, and should continue to do so for some time.

The '04 is the current release (it's the one I wrote up for my column) and it's a great vintage of this wine. Dark cherry and raspberry aromas with a slight caramel hint from oak, lightly gamy and intense, loads of black cherry fruit, tea leaf suggested both in the taste and in the tactile tannins, an alluring note of violets... It's young, but after about two hours open it was terrific, and if you're hunting for a top-notch Chianti to cellar for—well, pretty much as long as you'd want to cellar it—this is a great choice.